an emotional roller coaster from start to finish
This says so much with so little. The expert editing to the character of ‘Mum’ whose sudden interruption of our protagonist’s enjoyment is both comical and concise, offering a logical narrative development quickly. ‘Mum’ need not address herself as ‘Mum’, she need merely refer to “my car” and we can work out her relation to the protagonist from the previous information we’ve been given. New depths are added by the clear immaturity of our protagonist as she sings about being in her mother’s car before issuing a child-like “Broom Broom”, telling us that she is not ready to be driving her mother’s car, so perhaps we don’t want her to win in her objectives. This also creates a plausible explanation as to why ‘Mum’ doesn’t want her daughter in her car, turning the mother figure from a one-dimensional antagonist to a fully-formed character in her own right. And finally the small, underplayed, “aww”, which, in its lack of surprise and tone of dull acceptance, forces us to speculate that this isn’t the first time our protagonist has experienced this twisting narrative. We are always held back from our dreams. We always repeat our mistakes. But life continues nevertheless. Broom broom. Broom broom, indeed.
McGonagall holding a Sorting Hat that has been duct-taped across the mouth and doing her own impression of the hat’s voice from behind her hand in the Great Hall.
James Potter HUFFLEPUFF
Remus Potter RAVENCLAW
Sirius Potter NOW THE GROUNDSKEEPER
No classes together ever goodbye
London Comic Con October 2013
Hot fucking DAMN Assassins from all over the world and a shitton of different time periods?!
Rifle Assassin in the third gif could get it so hard.
I love seeing this every time it comes around. This many unique stiles that are all very clearly along the same line, without being obvious, and fitting gorgeously to the time period and places they’re from… Mmm! <3 Costume porn indeed!